Summary: A rare cerebral and hearty science fiction film with charm and thrills, though weakened by the demands of standard Hollywood plotting.
Review: Here is a movie that works on levels usually rendered inaccessible by genre-specific direction. It’s got brains, drama, thrills, and most refreshingly, heart. Capraesque Americana, Kafkaesque paranoia and classic Hollywood romance blend together with surprising smoothness. It reaches sci-fi conceptual heights, but remains accessible to a wide audience. It’s heartwarming, entertaining, intriguing and memorable.
Its chief flaws are trade-offs due to this balancing act. The paranoid elements gradually soften as the plot mechanics make the titular organization more familiar, and even somewhat friendly. The Americana of its protagonist’s political ambitions fades out as he falls in love. So while it lets down two parts in favor of the whole, the film still works because of the strong relationship at its center. Matt Damon and Emily Blunt have great chemistry and elevate writer-director George Nolfi’s script, which is not bad on its own, into something more believable. Because we can so easily sympathize with them, the Bureau’s effort to keep them apart — for reasons not unsympathetic on their end — creates real tension. We may be torn between the Bureau’s point-of-view and our hope for the lovers, but we are never confused. We know how we want this story to end, and Nolfi executes this dramatic dénouement quite well. He picks the perfect moment to fade to black.
On top of everything, he manages to invoke an oft-derided (for good reason) but classic plot twist, the Deus Ex Machina, in just the right way. Done badly, the Deus Ex Machina cheats us, but done well, it seals the story with mystery. Consider ‘Raiders of the Lost Ark’ and the wrath of God sequence — any other ending, including the one the filmmakers had originally planned, would lack punch and punctuation.
Philosophically, the film’s free will vs. determinism narrative presents a reasonable compromise. It works as less of a dialog and more of a polemical allegory with obvious Judeo-Christian influences. This is not necessarily a weakness, as this particular story begs for a conclusion, but there are films that handle the issues in a more compelling way.
Overall, the film is an above-average success. What it lacks in subtlety and impact it makes up for in entertainment value. This is sci-fi done right.