James here with Movie Music Monday!
Three from the films of Stanley Kubrick. If you’re a filmmaker, you’re required by law to appreciate Kubrick. If you don’t, you get dropped out of a bomber over Russia. Bring your cowboy hats, ye condemned.
The ending to ‘Dr. Strangelove, Or: How I Learned To Stop Worrying And Love The Bomb’ is one of Kubrick’s finest moments. This song plays over a truly lovely montage of giant mushrooms growing all over the globe. What is ‘We’ll Meet Again’? Soundtrack Dissonance for 500, Alex.
Among the similarities between Kubrick and Tarantino are their use of long takes and iconic, violent sequences set to surf rock, such as this Trashmen hit in ‘Full Metal Jacket’. What is ‘Surfin’ Bird’? I’ll take Classical Film for 200, please.
In ‘2001: A Space Odyssey’, Stanley Kubrick famously used classical music to frame sequences of silent space flight, such as this piece used over a docking sequence. What is ‘Blue Danube’?
And just like that, I take the lead, but lose next round to the spectacled gentlemen who knows all the math questions. I do, however, avoid a very explosive fate on a Serbian mountain range. Kubrick, love him or hate him, sure knew how to weave music into his works. I think the Tarantino comparison is kinda neat, too.