Summary: The only horror film to win Best Picture, ‘The Silence Of The Lambs’ is terrifying because it’s truthful.
Review: There’s “theme park” scary movies and then there’s true horror. ‘The Silence Of The Lambs’, the only horror film to ever win Best Picture, defines the latter class. It originates from the same real-life story as Hitchcock’s ‘Psycho’. Instead of establishing distance from the psychopath, however, ‘The Silence Of The Lambs’ takes us up close and personal with not one, but two dangerous and terrifyingly realistic villains.
The most famous is Dr. Hannibal “The Cannibal” Lecter, a brilliant and seductive psychopathic psychologist played by Anthony Hopkins. He’s the most vile and convincing villain I have ever seen on film. FBI Agent Clarice Starling, excellently played by Jodie Foster, has to consult with the incarcerated monster to see if she can discover how to find a serial killer known as Buffalo Bill. Their interactions are not only the highlight of the movie, but some of the few perfect moments in cinematic history.
This is a brutal experience. It is a descent into the darkest dungeons in the human spirit, into Tartarus. It is a challenging picture that requires viewers of strong constitutions. By not flinching, the filmmakers are putting us in absolute sympathy with Clarice; she’s vulnerable, naïve, and though she has an idea of where her journey will take her, it’s a horrifying ride that leaves her shaken. Director Jonathan Demme takes the Hitchcockian ideal to its absolute limit, lets us chew through our nails and grind our teeth until the last logical moment, which results in a fantastic catharsis. This isn’t a film for the faint of heart, and the weight of the thing goes beyond simple thrills. Psychologically and philosophically, it sticks with you. Every major religion has a theme of the descent into darkness and pain. Consider the challenge of Christianity, as made by St. Paul, for believers to “crucify their flesh” — to endure the greatest suffering for the greatest reward. ‘The Silence Of The Lambs’ is a filmic exploration of that challenge, both as a narrative (Clarice’s pursuit of Buffalo Bill) and as an experience. Provided that viewers know what they’re after, ‘The Silence Of The Lambs’ is a uniquely rewarding film.
The philosophical theme of ‘The Silence Of The Lambs’ is that yes, indeed, monsters do exist, and to our horror, they’re people like us. There’s something convenient about supernatural horror that separates the man from the monster, allows us the comfort given a victim, that when all’s said and done, history takes pity on the innocent. Here, there’s no such comfort. Instead, Clarice Starling discovers the bitter truth of how similar Hannibal Lecter and Buffalo Bill really are to “normal” people. Being human is a dangerous idea. Within each of us, there’s a devilish potential that we only think we’ve successfully sublimated. Inside our private hells, we keep monsters locked away, but what about the ones that seem so attractive that they can lure us in to their homes for some fava beans and a bottle of nice Chianti?
In an interesting contrast, let’s compare Stanley Kubrick’s masterpiece, ‘2001: A Space Odyssey’ with Jonathan Demme’s ‘The Silence Of The Lambs’. ‘2001’ is a film about, literally, heaven, space, evolution and the divine potential of humankind. It’s a hopeful journey through time with a strangely (for Kubrick) optimistic point-of-view. ‘Silence’, however, is about Earth and things underneath it, like basements and pits and darkened rooms. It’s about devolution, complex, civilized man’s disintegration into a cannibalistic hunter, the diabolical potential of humankind. Perhaps this Halloween, for a unique double feature, you ought to watch both.