Summary: An intelligent, philosophically influential, and emotionally resonant film.
Review: “Long as I remember, rain’s been comin’ down…” The opening of Akira Kurosawa’s acclaimed 1950 film, ‘Rashomon’, immediately brought a song by Creedence Clearwater Revival to my mind. Two men take refuge from a pounding storm beneath the ruined gatehouse called Rashomon. One is a common woodcutter, the other a priest. No words are spoken between them for the longest time, as the rain keeps comin’ down. A third man joins them. He manages to pry into the source of their despair; they have witnessed the story of a baffling murder and rape. The priest’s faith in humanity has been severely shaken by the cloak of lies surrounding the events. Slowly, all the versions of the story are shared and the conclusion is left ambiguous. If there is one honest witness, we are left to decide for ourselves.
‘Rashomon’ is exactly the kind of film the world needs, and yet, of course, it is one of the most difficult to get made. It is a film created from honest doubts, fears, questions, and a little faith. The murder mystery angle makes it marketable, but the deliberately inconclusive, introspective ending will frustrate those looking for a quick fix. ‘Rashomon’ is an artful entry into the discussion, not a hamhanded attempt at providing answers.
The film hews close to the minimalism and visual poetry of the silent era, yet has a very large number of shots, 407, which gives the action a similar flavor to postmodern hyperactivity. It reinforces the fractured, frenetic, and confusing nature of the main event. Kurosawa bucks common camera conventions, shoots directly towards the sun (something which wasn’t done at the time), and breaks the 180-degree-rule, a guideline for camera placement that prevents the audience from losing track of objects and location. The murder and rape take place in the forest, which blocks out the sunlight, symbolizing the fragmentation of the truth, and the trees blur together with the camera motion, reinforcing the sense of frustration and spiritual wilderness.
‘Rashomon’ is an unforgettable, very emotional experience. It’s a thinking person’s film. It gave its name to the “Rashomon Effect”, which refers to the subjectivity of recollection. It’s a must-see for cinephiles and philosophers. “And I wonder, still I wonder, who’ll stop the rain?”
Buy It From Amazon: Rashomon – Criterion Collection