Sound, as the saying goes, is half the picture. It’s a critical part of any good movie, and I’ve got my list of favorite composers here, once again in no particular order.
Here’s the why. Anybody who can write ‘Indiana Jones’, ‘Superman’, ‘Jurassic Park’, ‘Close Encounters of the Third Kind’, ‘Star Wars’, ‘Jaws’ etc. etc. without a serious degradation in awesome is too awesome to degrade. I’m sure the man is a saint. God bless him.
Here’s the why. Mr. Shore was so kind as to provide us with the operatic and extremely leitmotif-errific ‘The Lord of the Rings’ scores for Peter Jackson’s adaptation of the trilogy, but you should listen to it as much as you can, because I’m pretty sure it’s on loan from the seraphim.
Here’s the why. He’s fantastic, and suitably whimsical to enhance the heck out of everything Tim Burton (or anyone else) does. His ‘Batman’ score is beyond the impossible.
Here’s the why. He was one of the greatest film composers ever to grace our ears, and helped train a young John Williams. Noted for his Hitchcock scores, among many others. Currently a part of a black-on-black ops team of superhero celebrities. R.I.P., Bernard Herrmann.
Here’s the why. He composed 11 out of 22 James Bond soundtracks, and though he may or may not have written the James Bond theme, he’s still well ubiquitous with the secret agent. He’s just an all around master.