Stars: **** out of Four
Summary: Nicholas Meyer’s second ‘Trek’ film equals the first and ends the original series on a dark, chilling, and ultimately hopeful note.
Review: So the previous ‘Trek’ was a failure, falling way short of expectations and coming dangerously close to destroying the franchise. Thanks to Paramount’s concern over the 25th anniversary of the media property, however, they were given another shot at the silver screen, this time to close out the original series cast’s run.
And it’s so, so good.
After the high adventure and wacky antics of ‘The Final Frontier’, this film delivers a dark, intense detective story, a philosophical political thriller. Blending the literary influence so well captured by director Nicholas Meyer with series creator Gene Roddenberry’s often on-the-nose allegory, it strikes a nearly perfect balance of intellect, message, and thrills.
It opens with a new ‘Trek’ composer — Cliff Eidelman, never destined to write another note for ‘Trek’, unfortunately — spinning a dark web of sound over space. We know from the first few notes and the dark, purplish color of the opening credits that we are in for a trip into the dark side. By the time the music is drawing to an obvious close and the credits are following its lead, we are anticipating a release. And we get it, in the form of a classic Industrial Light & Magic explosion, complete with disc-shaped shockwave. Then we cut to the bridge of the U.S.S. Excelsior — Captained by Sulu! — which is soon enough hit with the explosion. After surviving the wave, the crew quickly finds out that the Federation’s longtime enemy, the Klingon Empire, just had one of its central moons and sources of power destroyed in a freak accident (Chernobyl, anyone?)
Now it’s time for talks. But legendary Captain Kirk, suggested for the diplomatic mission by his friend Spock, is not happy. He blames the Klingons for the death of his son, and considers them “animals”. “Let them die!” He says. But now he’s committed. After meeting the Klingon chancellor, he soon discovers that the Klingon leadership can for the most part be trusted — or can they? — and they start their journey to Earth on awkward but hopeful terms. Soon however, disaster strikes as Captain Kirk watches his own ship, outside of his control, fire on the Chancellor’s vessel. With the Klingon gravity controls knocked out, assassins beam over from the Enterprise and murder the Klingon leader… and now it’s Kirk’s fault. He and Dr. McCoy are arrested, leaving Spock and the rest of the Enterprise crew to solve the mystery and rescue Kirk & McCoy as political turmoil reigns and war looms. Somewhere, an assassin still remains, possibly on the Enterprise…
The setup is excellent, and the execution, slow-burning until the last twenty minutes, is superb. Though the film lacks a villain quite as memorable as Khan, Christopher Plummer does a good job playing the antagonist, and makes up in personality what he lacks in the personal touch. Shatner, Kelley, and Nimoy each turn in their best, most confident performance since ‘Wrath of Khan’.
The political philosophy of the movie is simple, yet very strong for ‘Trek’. It brings the series full circle, back to the themes that the first television series thrived on. It’s a Cold War parable, but focuses on the subject of hate and bigotry rather than the conflicting philosophies of the opponents. In short, it goes after the chief problem that plagued both, in the real world and the fictional universe of Trek.
As the Enterprise crew flies into the glare of a star at the end of this last drama, we are left both tearful and glad that we were along for the ride. With a such a great last hurrah, it’s a shame they chose to bring back Kirk for the next film, ‘Star Trek: Generations’, only to drop a bridge on him(!). I’d rather forget about that film, and leave what happens after ‘Trek VI’ an undiscovered country.